There were quite a few reviews in the past, repeatedly attempted to highlight key points of the true soul. So she went to the heart and soul to the pain and despair. Longing and passion are the attributes which have existed since the late 50's female singers and singers have managed to an audience loyalty. The great soul-heroes of the 1960s and 1970s were done to perfection and eternity. To rely on these icons to emulate them very directly and never was a mistake - was crucial here, of course, always the talent and the ability to use the above attributes, so live it. The old guard was rediscovered by Charles Bradley and Lee Fields has it that after all these years, still in the blood. Al Green, it still has. The Renaissance activists to Sharon Jones (Dapkings) and Mayka Edjo (The Sweet Vandals) have shown many times. There are many other examples - if you look with an authentic soul (and radio) sets apart.
The next generation of soul music has classical and modern forms of expression found. Cee-Lo Green and foremost. Ben l'Oncle Soul, Aloe Blacc, and the now gone from us Amy Winehouse has been sucking sound of traditional works from New Orleans, Detroit and Chicago, and turned it into something new, which honors the history and modernity not scared. The press hailed not without reason, that here again returned originality, respect life and emotion, and offered the € Plastikpop and R'n'B dance a counterbalance.
The success of Winehouse and Green have certainly the original idea of the rhythm 'brought back. Many artists and bands have been able to draw the world for their courage in deep reverence for the warm sound of the 1970s and all the wonderful works between Marvin Gaye, Donnie Hathaway, The Meters and Irma Thomas to make public, without having to leave the label as Altgestrige need.
The results are when you hear the new album of Dojo Cuts, breathtaking. Not without reason, the speaker of the global community Rare Groove (Russ Dewberry, Neal Sugarman, Craig Charles, Gilles Peterson, Henry Storch) commented enthusiastically about the Australian band and their second album. Everything fits what you love on a plate from the genre soul / funk. Arragements perfect, amazing pointed horns, driving groove and a stunning voice of charismatic singer Roxie Ray. Original compositions take on covers of Etta James, Marva Whitney & James Brown. "Take from me," Even 50 years after Otis Redding, a perfect, perfect, really noble genre highlight.
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